Skip to main content

Flow | Review by: Benjamin Garrett

 Easily one of the biggest surprises at the Golden Globes, was Flow winning Best Animated Picture. This indie darling was the underdog (or perhaps undercat would be more fitting) in its category, so beating juggernauts like Inside Out 2 and The Wild Robot was a crowning achievement that few could’ve predicted. Now that I’ve seen the movie myself, I can whole heartedly say it deserves the win. 


When it comes to animated movies, there’s often this temptation to go over-the-top, filling every frame with hyperactive action to keep younger viewers entertained. Flow resists that urge. It’s calm, measured, and has moments of stillness that allow for reflection, never trying too hard to grab your attention. This isn’t a movie where the characters are constantly spitting out one-liners (or any dialogue at all) or leaping into high energy action sequences to keep the pace up. Instead, it’s a more thoughtful, immersive experience. 


The film tells a minimalist yet emotionally impactful story set in a world that feels alive yet lost to time. Those who’ve seen The Wild Robot will notice similar themes, but Flow approaches and presents those themes in a very different way. The absence of dialogue doesn’t hurt the movie’s ability to convey its ideas, but also leaves room for individual interpretations. Whether you view this story as something metaphorical, spiritual, or simply at face value, chances are it will affect you on an emotional level. The animals beautifully convey the necessary emotion and expressiveness, but also still feel like actual animals (albeit ones that can steer a boat). 


I’ll admit, within the first few frames, I was ready to dismiss the animation style as inferior, questioning how it won over its gorgeously rendered competition. But that really isn’t fair, is it? This film was made for a mere 3.5 million (Compared to Inside Out 2’s 200 million) using Blender - a free, open source rendering tool. Once I accepted it was never going to look as polished as a major studio production, I began to fall in love with everything it did have to offer. Set in a world that’s been decimated by colossal flooding, the design of the environments is breathtaking. Stone structures covered in moss and worn-down wooden ships surrounded by endless ocean made for a unique and engrossing setting for the story to unfold. The score brilliantly conveys a sense of wonder, hope and fear of an unknown fate. Honestly, it’s one of my favourite scores of the year. 


Flow is an animated gem that genuinely has something to offer all audiences. It lacks the polish of big studio productions, but emerges triumphant due to its hauntingly immersive world, loveable group of characters, and a story that resonates on a deep emotional level. 


4.5/5 


Review by: Benjamin Garrett 




Popular posts from this blog

Boss Level Film Review

       Boss Level is a new addition to the time loop genre, with a twist. Ex-special forces officer, Roy Pulver, played by Frank Grillo, relives the same day until he dies. Every day he is hunted by assassins and when killed, he wakes up back in his bed where he started, only to have to try and survive all over again. Roy has no idea why he is stuck in this infinite time loop but he must do what he can to survive, and the longer he survives, the more he uncovers about his particular situation.  Unlike most action films that take time to build up, this film gets right into it and offers tons of non-stop combat sequences that would satisfy any lover of action films. Its erratic flow makes for some fun action scenes which come out of nowhere since Roy can expect the assassins to attack at any moment. If you play video games often and have ever been stuck on a level for hours or even days, you know the feeling of having to repeat the same thing over and over again u...

Godzilla vs. Kong Film Review

         Godzilla versus Kong is the action movie we have been longing for since all major blockbuster films pushed back their release dates. After three solo films between Kong and Godzilla, we finally see the two titans clash on film for the first time in what is the culmination of the Universal Monsterverse. The story is split nicely in two as team Kong and team Godzilla each have their own mission. Team Kong is on a secret mission to the center of the earth to uncover the mystery of the titans. This team consists of Dr. Nathan, Dr. Ilene, Maia, and the Youngest character in the film, Jia. Team Godzilla consists of Madison, Josh, and Bernie who are also on a secret mission, to infiltrate Apex Cybernetics with the theory that they are up to no good and are the reason why Godzilla has been acting up recently. The dynamics of the teams are well balanced as the Kong story provides us with serious and more action-heavy bits in contrast to the Apex team story that ...

5Lb of Pressure | Review by: Gaius Bolling

  5lbs of Pressure doesn't add anything new to the crime thriller genre but that's not to be meant as a detriment. By hitting on familiar beats, with the help of top-notch performances, writer/director Phil Allocco taps into what makes these films work. This is a tale of redemption and how being a product of your environment can shape you for better or worse. It's a story told across many films but that doesn't mean that Allocco's lens isn't still profoundly tragic and gripping. It's the sense of familiarity that makes the film work and as it reaches its tension-filled climax, anxiety hits a high hoping that the characters won't end up in an all too familiar outcome. Seeking redemption is Adam (Luke Evans). He's an ex-con, now sober, who is finishing his last month of probation for committing a crime that will continue to have a ripple effect through his life, even though he would like to leave it behind. He's attempting to forge a relationship w...