Kraven | Review by: Gal Balaban

Sergei Kravinoff, the son of a crime lord, develops a gift for fighting for and defending wild animals, but soon old and new foes from his life converge as he must embark on the most dangerous fight of his life.

Explaining the movie just then was a difficult task, not in an effort to avoid spoilers of the premise, but because the movie is so shallow it’s hard to really try and sell. It doesn’t quite make much sense, but worst of all, it isn’t fun to sit through. Weak character motivations and a hideous visual style plague this so-called origin story for another Spider-Man villain who Sony tries to manipulate into an antihero, rather unconvincingly. Aaron Taylor-Johnson’s casting as the titular character could’ve been promising in another movie, but he instead looks bored with the material he’s given, and who can blame him? Ariana DeBose and Fred Hechinger are also trying to salvage characters given no weight, but Alessandro Nivola, Christopher Abbott, and Russell Crowe are all awful. Nivola especially is given a lot of screentime but his slimy, unintimidating villain is flat and downright unwatchable.

Kraven, who in the source material is a terrifying brute, is supposed to be a much more sympathetic protagonist here, but we’re never given much reason to like him besides the fact that he’s played by a charismatic, good-looking actor, who isn’t really allowed to exercise too much of that charisma here. The action scenes are ruined by what looks like unfinished CGI, and every character’s look and dialogue is annoying, besides a moments Oscar winner DeBose has that are tolerable at best. The plot points are repetitive, the themes are undercooked, and the overall style is dull and feels more like test footage than a finished film that this character deserves. Not to mention, there’s some painfully obvious dubbed-over lines, which was also a glaring issue in Sony’s Marvel spin-off Madame Web from earlier this year. There’s no real reason here to root for any sort of journey here, as there’s never a promise of any real reward. The film pretends to be gritty, but only ends up being unintentionally humorous. It’s a fittingly empty end to Sony’s Spider-Man Universe of villain spin-offs that like its predecessors in the franchise, you’ll be begging to forget the moment it’s over.

1/5

Review by: Gal Balaban