Conclave | Review by: Benjamin Garrett
Conclave brilliantly depicts the explosive collision between politics and religion. Edward Berger has crafted an exceptionally tense thriller out of something that should not be this enthralling, resulting in one of the year’s best films.
This fictional story is steeped in the very real religious and political practices of the Catholic Church. Confined within the Vatican, while the world around them crumbles after the death of their Pope, the Cardinals gather to decide which of them will succeed him. We’re taken through the exhausting and repetitive voting process, where at least two thirds of the party must agree on a single candidate. Of course, it’s not as simple as it seems on paper, as rumours, facts and secrets begin to emerge.
Not all of these candidates are as squeaky clean as they present themselves, and it isn’t long before they begin dragging each other through the mud. Just as it does with politicians, the election becomes vicious, veering toward smear tactics instead of who the right choice should be. As I said, this subject matter should not be as gripping as it comes across, but every component of this film is operating in peak form - the script, the score, the cinematography and of course, the acting.
One glance at the cast and you know this film is going to be well acted, but it’s an absolute masterclass of performances. It’s honestly difficult to single anyone out, because the entire cast deliver some of their best work. It’s dialogue heavy, but even dialogue that should feel dry is delivered beautifully by every one of these phenomenal actors. Although many of these characters hold the same position in the Church, their individual beliefs and political stances lead to an entirely absorbing dynamic.
From a pure filmmaking standpoint, this is a technical masterpiece. Stephanie Fontaine’s cinematography is among the best of the year, capturing the Vatican’s breathtaking architecture, bathed in natural light and shadow. The contrast of the warm red Cardinal cloaks against cold marble and stone is striking. Reuniting with Berger after his excellent work on All Quiet on the Western Front, Volker Bertelmann delivers a thunderous score sure to nab another Oscar nomination (and possibly another win).
Let he who is without sin cast the first vote. Conclave is a masterful political thriller built on the complex inner workings of the Catholic Church. With direction, performances, cinematography and a score all worthy of awards consideration, this is one of 2024’s best offerings.
4.5/5
Review by: Benjamin Garrett
