Skip to main content

Bros Review

 



Any romantic comedy that references When Harry Met Sally multiple times is a winner in my book and that is just what Bros feels like. It’s a mixture of gay cliches, romance, and modern-day dating. Everyone will feel seen in this movie because many characters have different life experiences. From the moment it starts Eichner puts the gay community on blast and reasonably describes how everything works for him. He defines what love means to him and how gay love has been manipulated to please heteronormative ideologies. This is a rated R inside track on what it’s like to date within the queer community and how difficult it can be. Eichner highlights the different ways to approach men and how to date them. 

Bobby (Billy Eichner) and Aaron (Luke MacFarlane) are two emotionally unavailable men who have had commitment issues in the past. They’ve never been in love and they don’t want to even attempt falling for anyone. One night when they catch each other’s eye at a bar their journey begins. Their relationship is a slow burn which is always fun to watch. Eichner and McFarlane have fantastic chemistry with each other. The reason why this movie is so entertaining and fun come down to how honest the writing is for these characters and their experiences. The more authentic the story is for a romantic comedy the more people will connect with it. 


Review by: Amanda Guarragi 

4/5 

#movies #films #moviereviews #nicholasstoller #juddapatow #billyeichner #lukemacfarlane #comedies #1STReviews #LGBTQ #romcoms #universal 

Popular posts from this blog

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

Boss Level Film Review

       Boss Level is a new addition to the time loop genre, with a twist. Ex-special forces officer, Roy Pulver, played by Frank Grillo, relives the same day until he dies. Every day he is hunted by assassins and when killed, he wakes up back in his bed where he started, only to have to try and survive all over again. Roy has no idea why he is stuck in this infinite time loop but he must do what he can to survive, and the longer he survives, the more he uncovers about his particular situation.  Unlike most action films that take time to build up, this film gets right into it and offers tons of non-stop combat sequences that would satisfy any lover of action films. Its erratic flow makes for some fun action scenes which come out of nowhere since Roy can expect the assassins to attack at any moment. If you play video games often and have ever been stuck on a level for hours or even days, you know the feeling of having to repeat the same thing over and over again u...

Better Man | Review by: Benjamin Garrett

  What at first feels like a CGI gimmick allows Better Man to climb and swing it’s way beyond standard biopic conventions. This larger than life musical is worth a watch even if, like me, you needed to ask “Who the hell is Robbie Williams?”.  A pop icon in the UK who didn’t quite make a household name for himself in North America, Robbie Williams bares his life (the good the bad and the drug fueled ugly) in this dazzling account of his rise to fame. Musician biopics often focus too heavily on the creation of the artist’s work, and not enough on the actual artist. Better Man gives audiences a sobering portrait of the man behind the monkey, with his songs placed in pivotal life and career moments to move the narrative forward. This works especially well if you aren’t entirely familiar with Williams’ work, because you won’t find yourself waiting to hear specific needle drops. Instead they flow organically into the story, with gorgeously choreographed musical numbers.  And bo...