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Marty Supreme Review

When we are born, we are clueless about the journey ahead. What we seek as humans, even from a young age, is a purpose. We are told to pursue a path we are passionate about, but no one warns us how challenging it may be. Whether it’s struggling through medical school or struggling to write words on a page, everyone has their own Everest to overcome, not only to prove to others who may doubt them, but to prove to oneself that it is possible to achieve that goal. We believe we have to be great at any given dream or else we’re failures. But what we don’t realize is that life comes with many failures; it’s more important how we overcome them to achieve new goals. In a year notable directors have demonstrated why they’re so highly regarded (Paul Thomas Anderson, Chloe Zhao and Ryan Coogler), Josh Safdie debuts his solo directorial feature Marty Supreme. This year, his brother, Benny Safdie, went solo with the biopic, The Smashing Machine, starring Dwayne Johnson. The Safdies...
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Zootopia 2 Review

Zootopia 2 expands on its titular setting in ways that contrary to many big sequel, feel natural to the world of its story and quite visually intriguing. Though it can’t recapture the magic of Zootopia (to be fair, almost no animated movie can), this sequel is engaging, charming, and incredibly funny, despite a rushed start. Ginnifer Goodwin and Jason Bateman contribute to the great, if rocky, dynamic duo that is Judy Hopps and Nick Wilde, now partners on the Zootopia police force and looking to do some good together. Though at first it feels like Nick has unlearned much of what he learned in the first film, we soon come to understand his motivations and where their friendship goes is very heartfelt and excellently written. Fortune Feimster, Ke Huy Quan, and Andy Samberg stand out the most as new characters in the mix, particularly Feimster as a lovable new ally of the duo. The film may miss the thematic weight of the first film, but still has an interesting, if unsubtle, mess...

Good Fortune Review

Good Fortune is a comedy fantasy film directed and written by Aziz Ansari, starring Keanu Reeves, Aziz Ansari, and Seth Rogen. The story follows Gabriel (Reeves), a low-ranking guardian angel who swaps the lives of Arj (Ansari), a struggling gig worker, and Jeff (Rogen), a wealthy investor. The switch forces both men to experience each other’s very different realities. Still from Good Fortune Think of Good Fortune as a “Freaky Friday” story without a body swap, just a swap of jobs and lifestyles. The film aims to show that money does not bring happiness, but it often suggests the opposite. This plays out in two major ways. First, when Gabriel switches Arj’s life with Jeff’s to prove a point, Arj enjoys the wealth and comfort so much that he refuses to switch back, which is the only reason the plot continues. Second, after Gabriel fails to convince Arj, he is temporarily demoted to human status and takes on a regular job, where he immediately complains about h...

Train Dreams Review

Train Dreams is a profoundly affecting portrait of a life. Set during the final days of the American frontier, its story may be intimate but its thematic impact is sprawling — transcendent even. This is a film that will resonate deeply in my heart and mind for years to come. It’s a quiet film — almost deceptively simple. Before you know it, though, you’re being carried through the extraordinary beauty of a very ordinary life — the love, the hardships, the little triumphs, the grief, and all those seemingly mundane moments that end up becoming the memories we hold on to longest. The story is told with an unhurried pace, and you have to just let it all kind of wash over you to experience it fully. It truly feels as if you’re watching an entire life unfold before your eyes. Its themes are ones we can all connect with, and that’s part of what makes it one of the most moving films of the year. Still from Train Dreams One of the most underrated talents of thi...

Train Dreams Review

A beautiful reflection on our mortality and our small place in the big world that has lived before and will live after us, Train Dreams sees Clint Bentley and Greg Kwedar taking on their next creative endeavor with awe and surprise. The cinematography is absolutely marvelous, with breathtaking Malick-esque captures of the nature that immerse you into the time period, with time serving as both freedom and a prison. Joel Edgerton gives his best performance, portraying deep melancholy and confusion as to the purpose of his life, and coming to grips with the limits of the time he gets to spend where he wants and with whom. He presents a vulnerable sadness that always the audience to connect and feel vulnerable with him throughout the entire film. The film portrays the ugliness and beauty of the world with delicacy, with both shaping the human experience through memory. Rating: ★★★★½ Review by: Gal Balaban

Wicked: For Good Review

Wicked: For Good‘s rushed pacing feels like quite a whiplash from the slow burn of the first film that allowed its story to breathe much more, but it’s still a big, loud, and rewarding musical experience. The events are moving at such a fast pace that if you think about it too much, it starts to fall apart. The cinematography and editing don’t get that same patience that made the execution in the first movie so beautiful. The first act of For Good does feel a bit like its embracing the spectacle more than the soul, and if Part I felt more like its stage musical adaptation roots, this movie is the big fantasy action blockbuster. That said, it rises up to the challenge with truly great visual effects and breathtaking production design. The musical numbers are no less impressive, and the film’s heart is strong, and the chemistry between its two leads is electric. Cynthia Erivo is again astounding and contributes to some of the film’s most awe-inspiring moments, while Ar...

Wicked: For Good Review

Well, that was quite the intermission, wasn’t it? A year after director Jon M. Chu defied gravity with his exceptional adaptation of Wicked’s first act, he’s back to bring Glinda and Elphaba’s story to an emotional close. Just like the stage play, this second half is nowhere near as strong as the first, but there’s still plenty of cinematic magic to discover in Oz. Act one of the broadway show is 90 minutes, yet the first movie ran a staggering two hours and 40 minutes - longer than the whole play. It worked beautifully, though, because there was so much room to expand and explore this world and the characters who populate it. Act two is a leaner 60 minutes, which has been extended here to two hours and 17 minutes. Unfortunately, the second half of this story doesn’t afford as much room for expansion, and you can really feel it. The momentum coming off of part one’s show-stopping finale gradually fades, losing steam as the story is stretched beyond its natural p...