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Predator: Badlands - Review

Just as he did with Prey and Killer of Killers , Dan Trachtenberg once again breaks new ground with the Predator franchise. Badlands is a bold and badass departure from everything we’ve seen before, proving the Yautja to be a versatile, genre-defying species under the right direction. By exploring the Predator as a character rather than just a threat, you risk pulling back the curtain too far — but thankfully, that’s not the case here. These creatures are as ruthless and menacing as ever. Dek is the name of this Yautja, and his tribe’s customs are absolutely brutal. They hunt for sport, and the weakest links are slaughtered — even family. It’s a massive expansion of the lore that feels entirely fresh, giving the franchise a true sci-fi identity again. Tonally, it’s refreshingly unique — essentially a buddy team-up movie between Dek and Thia, the chatty top half of a Weyland-Yutani synth. A still from Predator: Badlands . The plot is lean, emph...
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Task - HBO's Latest Mini Series

Task is a morally complex crime drama populated by characters written with thoughtful depth. Following up on the tremendous Mare of Easttown , Brad Inglesby delivers another gripping, heart-rending, and multi-layered story filled with exceptional performances across the board. Because this limited series reaches beyond its crime elements into the lives of people on all sides of the conflict, it becomes far richer than expected. Yes, the investigative and criminal threads are central, but it’s the exploration of what makes these characters tick that truly elevates the show. Some might view the character-driven drama as unnecessary padding, but it adds depth and realism while giving the series a strong emotional core. These aren’t just characters built to serve the plot — they’re living, breathing people with lives and baggage of their own. Tom Pelphrey and Mark Ruffalo in Task . What also makes this such a compelling watch are the layers woven th...

Rental Family Review

Brendan Fraser and Hikari on the red carpet for Rental Family at TIFF 2025. Photo credit: James Larmour. Brendan Fraser brings empathy, softness, and delicacy to the lead character — an actor who joins a Japanese “rental family” agency, playing stand-in roles for strangers. He’s the beating heart of the film and allows the audience to connect with every one of his decisions. The movie’s Lost in Translation -like cultural contrasts raise fascinating questions about the titular company and its emotional impact on clients — whether positive, negative, or both. The concept itself is unique and quietly profound, offering an emotional patience rarely seen in stories like this. A still of Brendan Fraser from the film. However, the film’s editing lacks the same patience as Hikari’s direction, rushing between plot points instead of letting scenes breathe and linger. The supporting cast — including the outstanding Takehiro Hira, Ma...

A Private Life Review

Jodie Foster impresses in a film about a lonely, desperate psychologist searching for answers about a recently deceased patient. Her character’s multinational identity — an American in France — gives Foster an interesting playground to explore, but after a strong hook, the film begins to drag. The film works better as a character study than as a mystery. It also feels surprisingly long despite a 100-minute runtime. By the time it reaches its conclusion, it feels more puzzling than profound — though similar ambiguity has worked in other psychological dramas. Ultimately, it’s likely a must-watch only for devoted Jodie Foster fans, though even they may find their patience tested. Rating: ★★★ Review by: Gal Balaban

Bugonia Review

Bugonia is brimming with Yorgos Lanthimos’ signature strangeness, yet it’s one of the most grounded films of his career. This is a small-scale chamber piece that feels out of this world, thanks to expert direction and two incredible performances that bring a sharp screenplay to life. This film is written by Will Tracy, known for his razor-sharp work on Succession and The Menu . The writing here is clever, gripping, uncomfortably funny, and true to Tracy’s previous work — filled with both subtle and blunt social commentary. It’s a script that truly allows the actors to flex their talents (not that we don’t already know what Stone and Plemons are capable of), and one that kept me locked in, second guessing my own theories until the end. With most of the film set in one location, it rarely loses momentum, and despite a runtime of nearly two hours, it’s very well paced. Of course, a strong script needs talent to bring the words from page to screen. Emma Stone and ...

Blossom Shanghai is coming to the Criterion Channel

Official still from Blossoms Shanghai (2025). Blossoms Shanghai is the first original episodic series by legendary filmmaker Wong Kar Wai. An adaptation of Jin Yucheng’s award-winning novel Blossoms , the series chronicles the ascent of self-made millionaire Ah Bao — the Jay Gatsby of Shanghai — during the economic boom that followed the opening of the Shanghai stock exchange. Chinese actor Hu Ge stars as Bao, personifying the idealism and adventurism that defined the 1990s. While In the Mood for Love paid tribute to the Shanghainese community in Hong Kong, Blossoms Shanghai marks Wong Kar Wai’s first attempt to tell a story about his birthplace during one of the most intriguing moments in its modern history. Beginning November 24, the Criterion Channel will exclusively premiere Blossoms Shanghai , the long-awaited television series from visionary director Wong Kar Wai ( In the Mood for Love ). The 30-episode series opened in China to phenomenal ...

Bugonia Review

Yorgos Lanthimos creates worlds of oddity, discomfort, and unease in most of his films, but Bugonia has the most to say about our world today. Jesse Plemons and Aidan Delbis play two extremists who kidnap the CEO of a pharmaceutical company (Emma Stone), believing her to be an alien in disguise sent to enslave humanity. Plemons and Stone are daring, unsettling, and riveting — continuing to surprise and push their characters further, even as both are returning alums of Lanthimos’ distinctive filmography and tone. Plemons’ turn is chilling, rooted in the conviction of lifelong pain, while Stone is phenomenal as a woman who’s done terrible things yet somehow holds the moral high ground. Delbis is equally convincing as a man who, beneath his darkness, possesses helplessness and strange empathy. Lanthimos’ best traits as a filmmaker lie in his ability to find both the absurd and the profound within any situation, making each story feel large-scale through his sharp edit...